This template builds on the fundamentals of threat modeling, tailoring them for the unique context of an open-source library. Libraries are building blocks; their security impacts every application that uses them. Thinking like an attacker about your library is a critical step in providing a robust, trusted component to the ecosystem.

• Consumers are Developers: Your users are other developers integrating your code. They rely on your library's integrity and correct behavior.
• Integration Points are APIs: The primary interface for attack and misuse is often your public API.
• Supply Chain Risk: Your dependencies are your dependencies' dependencies, and so on.
• Side Effects & Resource Usage: Unintended consequences or excessive resource consumption can impact host applications.

The artist, theorist, and educator, Wassily Kandinsky, is lauded by the art world for being the “principal progenitor” of abstract painting. This notoriety is due to his ability to paint and to write about the artistic process. In his writings, Kandinsky unabashedly draws inspiration from other forms of art. This ability to define art which was previously unknown, to look to other art forms, and to focus on the artistic process resembles the practices of artists working in the field of new media, a technology-fused genre of art. In order to discover how new media artists build on top of Kandinsky’s theories, this thesis establishes a novel classification of the painter’s theories, known as his ‘science of art’. This rubric extracts three essential components from critical discourse of the painter’s theories: surface, precision, and dissonance. It is then applied to Kandinsky’s own oil painting, Composition 8 (1923), and three works of new media: the software-generated book Frankenfont (2011) by Fathom Inf